Sleek and stunning in a daring white gown, Emma Watson turned heads last night at the London premiere of her biblical movie Noah.
But while the 23-year-old actress is naturally slender, it seemed even she needed a little secret help to look her best.
Her show-stopping dress was slashed to the thigh, giving a glimpse of her control pants, the figure-sculpting underwear loved by women for its ability to smooth out those annoying little lumps and bumps.
Paramount's biblical epic starring Russell Crowe in the titular role opened with $44million, according to studio estimates on Sunday.
Watson plays daughter-in-law Ila, to the pre-flood Patriarch (played by Russell Crowe), who builds an ark to save God’s creations in a world mired by human sin.
Speaking at the premiere, Watson admitted her character's childbirth scenes were 'really nerve-wracking'.
She said: 'You feel a responsibility to women in general to portray it in a way that was true the experience and how tough it is.
'From what I've researched, it feels like a really life or death moment and I really wanted to make sure that that came across.'
Oscar-winning filmmaker Aronofsky co-wrote the reinterpretation of the classic biblical tale, which has attracted mixed reactions from religious audiences but has already topped the US box office in its opening weekend.
Crowe said: 'It has something for people of faith and people who don't have faith. It's an intense experience.
'You come out of it wanting to have a chat. That's the best part of a movie when that sort of thing happens.'
Connelly, who looked dazzling in an Alexander McQueen dress with a feather skirt and floral bodice, agreed.
She said: 'I think it's a story from the Bible and the stories are timeless and the themes are universal. I think for people from different backgrounds, different parts of the story will resonate with them in different ways. I think a lot things will resonate in particular with audiences. I know that it was very important to Darren that it feel quite pertinent to a lot of people.'
Aronofsky admitted he felt the story had a new relevance today, in light of global warming.
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