If you're finding yourself in a mid-January outfit slump fueled by long holiday weekends and perpetually gray skies, well, you've come to the right place. This time of year, we typically feel completely zapped of outfit inspiration and default to the combinations we know and love. For us, jeans and a plain tee is one of those combos we've come to rely on heavily. Sound familiar? Good, because we're about to inject some newness to the one outfit we know you repeat the most.
We too wear jeans and a tee nearly every day, so we got together and compiled our very best styling ideas that make the outfit look brand new. These are wardrobe basics we know for a fact get a lot of wear, so to make them feel fresh again, it's all in the styling. From a killer pair of shoes to eye-catching accessories like crystal earrings and fun headbands, every Who What Wear editor is sharing the go-to pieces we wear to elevate the look of jeans and a plain old tee from something lackluster to brilliant in under 60 seconds.
Ready to up your basics? Keep reading to see what to wear with jeans and a T-shirt and how we style them on the regular.
Jon Cornwell (pictured) is the co-founder and CEO of Newsflare, an online marketplace for user-generated news content. Prior to Newsflare, Jon worked as a management consultant and then launched his first venture: Clear Cell Group.
In the latest episode of All Things Video, we examine digital media's transformation of the news business. With the advent of social media platforms and the smartphone revolution, we witnessed the rise of citizen journalism, as exemplified by the Arab Spring and the London Riots. Today's media outlets are struggling to keep up with an ever-accelerating news cycle, fragmented audience attention, and a changing business model. (You can listen to this podcast on Apple or right here).
As a result, news media's economic incentives are increasingly at odds with consumers' informational interests. In order to satisfy advertisers, news publishers prioritize material and choose to present it in a way that will maximize clicks, views and ad dollars. As Jon said, "We used to believe that the news was objective, but now I think we're seeing it for what it really is, which is essentially somewhere there's an editorial decision. There's a story that a journalist has or hasn't chosen to cover. There's an editor that runs this story and not that story because they've got to make certain ratings. […] All of these things are going on, but I think we're probably seeing them more clearly than we ever did before."
All this has led to a significant trust issue between news outlets and their audience. At a time when it's all too easy to cry "fake news," not only is the veracity of information being called into question, but the underlying motives and approach are subject to intense scrutiny. Clearly, the situation calls for change, and Jon predicts a future of news media that involves more aggregation, personalized content curation, and consumer-funded, rather than ad-supported business models.
All 15 EGOT Winners, From Audrey Hepburn to John Legend (Photos)
Richard Rodgers, composer (1902-1979) Emmy: Outstanding Achievement in Original Music Composed, "Winston Churchill: The Valiant Years" (1962) Grammy: Best Show Album, "The Sound of Music" (1960); Best Original Cast Show Album, "No Strings" (1962) Oscar: Best Song, "It Might As Well Be Spring" from "State Fair" (1945) Tony: three for "South Pacific" (1950); one each for "The King and I" (1952), "The Sound of Music" (1960) and "No Strings" (1962)
Helen Hayes, actress (1900 - 1993) Emmy: Best Actress, "Schlitz Playhouse of Stars: Not a Chance" (1953) Grammy: Best Spoken Word Recording, "Great American Documents" (1977) Oscar: Best Actress, "The Sin of Madelon Claudet (1932); Best Supporting Actress, "Airport" (1970) Tony: Best Actress in a Drama, "Happy Birthday" (1947); Best Actress in a Drama, "Time Remembered" (1958)
Rita Moreno, actress (1931 -) Emmy: Supporting Actress, Variety or Music, "The Muppet Show" (1977); Lead Actress for Single Appearance in a Comedy or Drama, "The Rockford Files" (1978) Grammy: Best Recording for Children, "The Electric Compan" (1972) Oscar: Best Supporting Actress, "West Side Story" (1961) Tony: Best Supporting Actress in a Play, "The Ritz" (1975)
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John Gielgud, actor (1904 - 2000) Emmy: Best Actor in a Miniseries or Special, "Summer's Lease (1991) Grammy: Best Spoken World Album, "Ages of Man" (1979) Oscar: Best Supporting Actor, "Arthur" (1981) Tony: Outstanding Foreign Company, "The Importance of Being Earnest" (1948); Best Director of a Drama, "Big Fish, Little Fish" (1961)
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Audrey Hepburn, actress (1929 - 1993) Emmy: Best Individual Achievement, Informational Programming, "Gardens of the World With Audrey Hepburn" (1993) Grammy: Best Spoken Word Album for Children, "Audrey Hepburn's Enchanted Tales" (1994) Oscar: Best Actress, "Roman Holiday" (1953) Tony: Best Actress in a Drama, "Ondine" (1954)
Marvin Hamlisch, composer (1944–2012) Emmy: Four awards, two for work on "Barbra: The Concert" (1995) and one each for "AFI's 100 Years... 100 Movies" (1999) and "Timeless: Live in Concert" (2001) Grammy: Four awards in 1974, including Best New Artist, Song of the Year ("The Way We Were"), Best Album of the Original Score ("The Way We Were") and Best Pop Instrumental Performance ("The Entertainer") Oscar: Best Original Dramatic Score and Best Song, "The Way We Were" (1973) and Best Adapted Score, "The Sting" (1973) Tony: Best Musical Score, "A Chorus Line" (1976)
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Jonathan Tunick, music director and composer (1938 - ) Emmy: Music Direction, "Night of 100 Stars" (1982) Grammy: Best Instrumental Arrangement Accompanying Vocals, Cleo Laine's "No One Is Alone" (1988) Oscar: Best Adapted Score, "A Little Night Music" (1977) Tony: Best Orchestrations, "Titanic" (1977)
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Mel Brooks, performer, writer and director (1926 - ) Emmy: Best Writing in Variety, "The Sid Caesar, Imogene Coca, Carl Reiner, Howard Morris Special" (1967); three awards for Best Guest Actor in a Comedy, "Mad About You" (1997-99) Grammy: Best Spoken Comedy Album, "The 2000 Year Old Man in the Year 2000" (1998); Best Long-Form Music Video, "Recording 'The Producers'" (2002); Best Musical Show Album, "The Producers" (2002) Oscar: Best Original Screenplay, "The Producers" (1968) Tony: Best Musical, Original Score and Book of a Musical, "The Producers" (2001)
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Mike Nichols, performer, director and producer (1931 - 2014) Emmy: Best Director of Miniseries, Movie or Special, "Wit" (2001); Best Made for Television Movie, "Wit" (2001); Best Directing of Miniseries, Movie or Special, "Angels in America" (2004); Best Miniseries, "Angels in America" (2004) Grammy: Best Comedy Performance, "An Evening With Mike Nichols and Elaine May" (1961) Oscar: Best Director, "The Graduate" (1967) Tony: Best Director of a Play, "Barefoot in the Park" (1964), "Luv" and "The Odd Couple" (1965), "Plaza Suite" (1968), "The Prisoner of Second Avenue" (1972), "The Real Thing" (1984), "Death of a Salesman" (2012); Best Musical, "Annie" (1977); Best Play, "The Real Thing" (1984); Best Director of a Musical, "Monty Python's Spamalot" (2005)
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Whoopi Goldberg, performer and producer (1955 - ) Emmy: Best Special Class Special, "Beyond Tara: The Extraordinary Life of Hattie McDaniel" (2002); Best Talk Show Host, "The View" (2009) Grammy: Best Comedy Recording, "Whoopi Goldberg: Original Broadway Show Recording" (1985) Oscar: Best Supporting Actress, "Ghost" (1990) Tony: Best Musical (producing), "Thoroughly Modern Millie" (2002)
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Scott Rudin, producer (1958 - ) Emmy: Best Children's Program, "He Makes Me Feel Like Dancin'" (1984) Grammy: Best Musical Theater Album, "The Book of Mormon" (2012) Oscar: Best Picture, "No Country for Old Men" (2007) Tony: 12 awards, for producing musicals "Passion" (1994) and "The Book of Mormon" (2012) and the plays "Copenhagen" (2000), "Doubt" (2005), "The History Boys" (2006), "God of Carnage" (2009), "Fences" (2010), "Death of a Salesman" (2012), "The Curious Incident of the Dog in the Night-Time" (2015), "Skylight" (2015), "The Humans" (2016) and "A View From the Bridge" (2016)
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Robert Lopez, composer (1975 - ) Emmy: Best Music Direction and Composition, "Wonder Pets" (2008, 2010) Grammy: Best Musical Theater Album, "The Book of Mormon" (2012); Best Compilation Soundtrack, "Frozen" (2015), Best Song for Visual Media, "Let It Go" from "Frozen" (2015) Oscar: Best Original Song, "Let It Go" from "Frozen" (2014) Tony: Best Score, "Avenue Q" (2004); Best Score and Best Book of a Musical, "The Book of Mormon" (2011)
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John Legend, songwriter and producer (1978-)
Emmy: Outstanding Live Variety Special, "Jesus Christ Superstar Live in Concert"
Grammy: Best New Artist (2005); Best R&B Album, "Get Lifted" (2005); Best R&B Vocal, "Ordinary People" (2005); Best Male R&B Vocal, "Heaven" (2006); Best R&B Duo or Group, "Family Affair" (2006); Best R&B Vocal or Group, "Stay With Me by the Sea" (2008); Best R&B Album, "Wake Up!" (2010); Best R&B Song, "Shine" (2010); Best R&B Vocal, "Hang On in There" (2010); Best Song Written for Visual Medium, "Glory" (2015)
Oscar: Best Original Song, "Glory" from "Selma (2014)
Tony: Producer of Best Play Revival, "August Wilson's Jitney" (2017)
Andrew Lloyd Webber, composer and producer (1948-)
Emmy: Outstanding Live Variety Special, "Jesus Christ Superstar Live in Concert"
Grammy: Best Cast Album, "Evita" (1980); Best Cast Album, "Cats" (1983); Best Contemporary Composition, "Lloyd Webber: Requiem" (1985)
Oscar: Best Original Song, "You Must Love Me" from "Evita" (1996)
Tony: Best Score, "Evita" (1980); Best Score, "Cats" (1983); Best Score, "Sunset Boulevard" (1995)
Tim Rice, lyricist and producer (1944-)
Emmy: Outstanding Live Variety Special, "Jesus Christ Superstar Live in Concert"
Grammy: Best Cast Album, "Evita" (1980); Song of the Year and Song for Film or TV, "A Whole New World" (1993); Best Album for Children, "Aladdin" (1993); Best Cast Album, "Aida" (2000)
Oscar: Best Original Song, "A Whole New World" from "Aladdin" (1992); "Can You Feel the Love Tonight" from "The Lion King" (1994); "You Must Love Me" from "Evita" (1996)
Tony: Best Book and Best Score, "Evita" (1980); Best Score, "Aida" (2000)
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Only a few entertainers have earned competitive Emmy, Grammy, Oscar and Tony awards
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